To coincide with the four-day Kaufman retrospective presented by Landmark Theatres, and to coincide with Anomalisa's release, Charlie has penned a "Filmmaker's Letter" for Landmark's website, in which he speaks of his respect and admiration for stop motion animators.

Animators are observers and psychologists. They are actors inhabiting characters from the outside. They are physicists and engineers, first studying how things move in the real world, then figuring out how to represent that in an artificial one. How does a football bounce when it hits the ground? How does snow fall on a windy day? When you rub your eye, how long does it take to reposition itself properly in its socket? That’s one we explore in Anomalisa.


Being involved in Anomalisa has made me more observant and more thoughtful about movement. I watch people walk and ask myself what it says about them. I watch myself fidget and ask the same questions. I notice gestures. I pay attention to the crazy movement of leaves in the breeze on the tree outside my window. I try to understand how those seemingly haphazard movements might be simplified but effectively represented. I realize we're all moving constantly, in relation to others, unconsciously revealing our secrets, our fears, our attractions and repulsions, consciously trying to hide them, protect ourselves, make ourselves less obvious, less vulnerable. (Source)

The whole thing's worth reading.

Thanks to Julie and Rafał, who found it via Cartoon Brew.

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